Georges Franju is a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinematheque Française in 1937--France's most famous and important film archive.
He worked primarily as a film archivist until 1949, when he made his solo directorial debut with the shocking yet lyrical slaughterhouse documentary Le sang des bêtes (1949). More documentary shorts followed before his feature debut, La tête contre les murs (1959) in 1958, which established his uniquely poetic and visually striking style (his films were generally characterized by unforgettable images that owed a great deal to early cinema in general and German Expressionism in particular). His reputation was strengthened with the bizarre plastic surgery horror film Les yeux sans visage (1960); Judex (1963), a tribute to French film serial pioneer Louis Feuillade in 1963; and the Jean Cocteau adaptation Thomas l'imposteur (1965), though in the last 15 years of his life he was sadly neglected.
