Keanu Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born in Beirut, Lebanon in 1964, the son of English-born Patricia Taylor, a showgirl, and American-born Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry. After their marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller and hair salon owner Jack Bond. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, Le fleuve de la mort (1986), and landed a supporting role in the Oscar-nominated Les liaisons dangereuses (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude "Ted Logan" in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Portrait craché d'une famille modèle (1989), and Lawrence Kasdan's Je t'aime à te tuer (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Dracula (1992), and Shakespearean party-pooper Don John in Beaucoup de bruit pour rien (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and Suicide Club (1997), and big films like Les vendanges de feu (1995) and L'associé du diable (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Poursuite (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them Les remplaçants (2000), The Watcher (2000), Intuitions (2000), Sweet November (2001), and Hardball (2001) - before Matrix Reloaded (2003) and Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Tout peut arriver (2003), Entre deux rives (2006), and Au bout de la nuit (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and Le jour où la Terre s'arrêta (2008). And he's waded back into art-house territory with Ellie Parker (2005), Âge difficile obscur (2005), Les vies privées de Pippa Lee (2009), and Braquage à New York (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He's also directing another Asian-influenced project, Man of Tai Chi (2013).
